Photo Analysis Free Sample The analysis of an image or a photo is all about visual deductions of information and impressions communicated by an image or photo. The following is an analysis of a Personal photograph. The analysis presents the distinct characteristics of the photograph while seeking to answer a number of questions and at the same time relating the photo analysis to external ideas and principles of image analysis and appreciation. As expected, the first approach to image analysis involves observation of the photographic image to obtain a general appreciation of the photograph after which individual aspects of the photo are considered.
A How-To Guide I. A strong geometrical shape is the key to good composition in graphic design and film and photo composition. For course work, for critical writing, and for professional work in the media -- learn a vocabulary to apply to visual analysis.
Talk and write about an image using the most concrete sensory vocabulary. If you say "tree," talk about how the leaves and branches move, sound, feel and are shaped. What makes this tree different from others. Move from a level of generality to greater and greater specificity in the language you use.
Talk and write about your own stages in looking at and interpreting the picture. What caught your eye; what stood out emphatically; what took a while to notice; how did your eye move around the picture; did it keep coming back to a certain spot?
Discuss how a picture conveys tranquillity, dynamism, respect, abjectness? Does it give you a new appreciation of previously overlooked aspects of daily life?
Does it reflect a fascination with human art or nature's art? Does it capture a fleeting moment and freeze it for the viewer?
Does it make a social comment or a comment on convention? Analyze two-dimensionality and how it gives the effect of depth. Balance can be symmetrical or asymmetrical. Look at the use of Positive and negative space. An visual interest in negative space and its composition is a major principle of Japanese painting and photography.
How does the artist compose the background as well as the major figures? Place the most important objects one third or two thirds of the way across the image.
Asymmetrical balance, achieved by the rule of thirds, contributes to variety and sharpening. Find the single visual force that is the strongest. There are actual and implied lines. Is there implied directional movement even a blur?
How do we read it, left to right, up to down? Analyze strongest parts of frame by quadrant. Horizontals -- Does or should the artist use the rule of threes in composition?
Discuss placement of the horizon line in the frame. Verticals -- Describe the emotions elicited, which are often kinetic, urban, aspirational or authoritative C.
Diagonals give a sense of motion, inconclusiveness, or instability. Talk about how the lines and shapes lead the eye. Is there a point where the eye returns or temporarily rests? That is the point of emphasis, and good pictures achieve visual emphasis. Is there an emotion or narrative implied by that visual emphasis?
Emphasis creates a center of interest. Human form is most interesting thing in image. An intricate shape is sharpened when there is also something very simple alongside it; an extreme close-up may show the great intricacy of the texture of the most common objects [for examples, a close-up of all the colors in an oil slick glinting in the sunlight.
Most textured area commands the most attention. The foreground and the right, lower quadrant have more emphasis. The person in front always gets more attention than the person in back.
Emphasis comes from implied motion in the image. There are two kinds of eye motion. One is eye motion led by a figure in the content of the image that is going or pointing in a certain direction:ANALYZING A PHOTOGRAPH A How-To Guide.
I. Importance of knowing these principles for future work in film/video/TV and in writing criticism. Here are some examples of photographs that might be worth analyzing. Note: You can learn a lot more about this topic by buying our book, Practical Media Literacy: An essential guide to the critical thinking skills for our digital world.
Materials created by the ational Archives and Records Administration are in the public domain. Analyze a Photograph Meet the photo. Quickly scan the photo. Analyzing Images In the consumer driven society that we live in, major manufacturers are always looking for ways to produce effective marketing so that the general public will buy their product.
Analyzing Photographs & Prints teacher’s guide reflect question Ask students to identify and note details. Sample Questions: Describe what you see. Analyzing Photographs The activities in this curriculum rely on three methods of visual analysis: description, reflection, and formal analysis.
These methods provide a structure for viewing, analyzing, and writing about photographs that is consistent throughout the curriculum.