Which European institu- tions engage exclusively in Cultural History and which topics do they address?
It appears as an ideal compromise in a long-lasting and confusing German debate. There is much to be said in favour of this new approach and also for putting an end to theoretical pseudo-debates. Concerto vivace The German debate about how to understand the massive increase in public interest in the past, which started in the late s and was particularly focussed on the individual national histories of Germany, Austria, and Switzerland, has been in progress since the end of the s.
Sometimes they refer to special, limited forms such as, for instance, the terms politics of the past Vergangenheitspolitik; Norbert Frei or politics of history Geschichtspolitik; Edgar Wolfrum. However, they usually claim to cover the entire spectrum of phenomena related to how the past is dealt with publicly: Within the historical sciences, a prevailing and lively competition between the concepts of culture of remembrance and historical culture has emerged.
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|Questioning the ways in which history matters||Tweet Executive Summary History is woven into daily life, yet even there it is complex and contested.|
This conceptual competition, which has become highly charged with respect to science policy, has become a long-standing obstacle to a constructive, scientific investigation of concrete research problems; it leads to a fragmentation of discourse and also prevents institutions from targeting useful strategies.
Simple Solution Individuals can, of course, pursue their own valid interests; nevertheless, the relationship between the concepts of a culture of remembrance and historical culture is, in substance, completely clear: In other words, the culture of remembrance is, due to its contemporary character, fluid and volatile.
Once the negotiated contents of the culture of remembrance are correctly formatted institutionally and viewed calmly, as well as spelled out academically, they become material for historical culture.
The two terms are by no means mutually exclusive; they are, in fact, complementary. What is needed is a dynamic understanding of contemporary history, based on a generational perspective and that does not rely on the common conventions of epochal fixation.
This mixture creates the culture of remembrance, in its authentic sense without allegorical understanding, since the professionals are also involved biographically.
Cooling down these quarrels transforms, so to speak, the discourse on meaning related to the past into a different state, allowing the emergence of historical culture that is partially, but significantly, negotiated, nurtured, and contested in another manner.
Only then is it possible to gain analytical access to the historical dynamics and volatility of the construction of cultural identity. It is an Umbrella What remains, naturally, is the more or less obvious theoretical fuzziness, as well as the incompatibility of the two existing terms.
Individual use may frequently differ, but the goal is always the same. And this is why one should not pretend to be using—in terms of the analogy—different devices. Public History And now to Public History. The term makes German-language purists sweat, for sure.
However, I think that the adoption of the concept into German is a wonderful opportunity to put old differences behind us. Obviously, it offers the important connection to the very broad debate in English ; this alone would be a first important benefit.
But there are even more advantages: This opens the door to a constructive level of communication between production and analytical criticism, whose absence is symptomatically exemplified by the petty, long-lasting bashing to which Guido Knopp was subjected. There is a long overdue need to provide students of history with career perspectives besides academia and school teaching.
The demand for such professionals exists. This is a mutual blind spot. Public History must be analysed, understood, and produced digitally; otherwise, it will barely work out today and not at all tomorrow.
Zeitgeschichte — Medien — Historische Bildung. Zeitgeschichte und Public History, Version: The Revolution Reconsidered conference website. Multi-authored, multi-interest blog for all those with an interest in the practice and study of history in public — See more at: Ursachen, Chancen und Grenzen.
Zeitgeschichte in Unterricht und Gesellschaft heute.
APuZ B28, p. Oral Tradition as History. Consequently, the transition to another form of producing meaning has numerous political and didactic implications. Abschied von der Erinnerung.Biographical sketch -- The story behind the story -- List of Characters -- Summary and analysis -- Critical views -- Percy Bysshe Shelley on Frankenstein -- Crosbie Smith on Victor's Genovese years -- Ludmilla Jordanova on melancholy reflection -- Anne K.
Mellor on the modern Prometheus -- David Ketterer on the sublime setting -- Muriel Spark on the shifting roles of Frankenstein and his.
reflecting conceptually about the practice of history and convinced of the need to build bridges within our fragmented discipline. While the Ôcultural turnÕ is common currency, 2 Ôinternational historyÕ certainly is . Cultural history is now flourishing and certain areas have distinguished themselves as autonomous fields of study: the history of cultural politics, reading and printing, and medical cultural practices, for example.
Ludmilla Jordanova is Professor of Modern History at King's College, London. She has previously held posts at the Universities of Cambridge, East Anglia, York, Essex and Oxford.
After an 'excursus' into Public History (ch. 6), Jordanova concludes with a chapter that in more conventional treatments of the discipline might have been expected near or right at the start: the issue of historical skills and their application. Note: Citations are based on reference standards.
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